![]() ![]() Collectors examine hatpin heads to see if they were made to have stems inserted during manufacture, not added later. A button glued to the end of sharpened rod appears to be a hatpin a glued-on false pearl or colorful stone can masquerade as a hatpin. After that might come hatboxes, another collectible. They resemble pins for hats but came in much shorter lengths and were worn on lapels by both men as well as women in times past. And you might take a look at old stickpins. Once you are full up on inherited or collected hatpins, you will need holders for them, another collectible. The Edwardian suffragettes of 1908-1910 so panicked some local governments that legislators enacted laws limiting the length of hatpins and required covers on the tips in case some uppity women wanted to use them as weapons! In some places, hatpins were totally excluded from courtrooms. With few exceptions, hatpins were thought of as dressed up utility items, not as serious jewelry. A few were made in sterling silver, others silver washed. Rhinestones add glitter, appealing in the 1910s, and the base metal ranges from alloy to brass to gold washed. Really old hatpins exhibit the same range of semi-precious stones that appear in other jewelry of the period, including coral, amber, amethyst, turquoise, carnelian, garnet, pearl and so on. If you are interested in assessing what you have or collecting them, you might join the American Hatpin Society that puts out quarterly newsletters. However, many quite fascinating hatpins are not particularly costly, and they may have the appeal of being family treasures. Those with semi-precious stones or rare provenance have considerable value. ![]() Of course, the more magnificent, the more pricy the pin is in shops and online. They are small, lightweight, easily stored, easily displayed, and not too terribly expensive. ![]() ![]() Hatpins meet the criteria of an excellent collectible for antiquers. Nonetheless, antiquers can still find hatpins, and some are amusingly fancy. However, in the eras of bobbed-hair in the 1920s, as well as beehives and big hair in the 1960s, hats shrank to cloches and caps, and hatpins disappeared from shops entirely. Moreover, hatpins came back into use in the 1950s when large picture hats were once again fashionable.Īll big hats, at least wide unwieldy ones that catch the least bit of breeze, need to be anchored in place somehow. And most were long ones (6-8” or more), long enough to reach through braided or ratted rolls of hair. They needed a lot of hatpins so the pins were usually sold in identical pairs. In the Edwardian era, fashionable women wore giant impossible hats sporting large feathers and colorful replicas of fruits, birds, flowers and whatever else could be imagined. When mechanized production was developed in the late-19th century America, hatpins became both popular and affordable for everyone. Once hats became very large, hatpins were a necessity for upper-class Edwardian ladies and often were imported from France. Originally made by hand, such pins were first used in medieval times to hold wimples and veils in place. Do you have some of your grandmother’s hatpins? Are they very long? Very sharp? Hatpins refer to the long decorative pins that Victorian and Edwardian ladies used in attaching their large hats firmly to their hair. ![]()
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